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Posts tagged Independent Film Festival of Boston

PNR Networks sites, podcast to triple festival coverage in 2012

Jan14
2012
Written by popcornnroses

PNR Networks, home to entertainment news sites Popcorn N Roses, Boston Popcorn, and Indie Film Spotlight as well as popular movie podcast Subject:CINEMA, will greatly expand its annual film festival coverage in 2012, nearly tripling the amount of festivals featured every year.

Since 2007, Subject:CINEMA has presented a rundown of films being featured at the four prestige January festivals – Sundance, Slamdance, Santa Barbara, and Palm Springs – on their annual “Fethival Of Film Fethivals” podcast. This year, the podcast will greatly expand the scope of their annual show, bumping the number of featured festivals up to TEN – more than twice the number of festivals previously covered on the show. In addition to the “big four”, the show has added full coverage to four other festivals occuring in January and February: The Victoria Film Festival (Victoria, BC – the first non-US festival to be featured); Festivus Film Festival (Denver, CO), Traildance (Duncan, OK) and Big Sky Documentary Film Festival (Missoula, MT).  These four festivals were selected as additions to the podcasts’ annual coverage from the dozens of various festivals for their reputations for quality, film pool, and fan approval.

In addition, beginning this year, the “Fethival” will also include rundowns of the big film competition entries at two of the most prestigious festivals in February and March – Berlinale in Berlin and South By Southwest (SXSW) in Austin TX.

January’s “Fethival Of Film Fethivals” show is often Subject:CINEMA’s third most-downloaded and listened to show of the year behind the podcast’s annual “Rising Stars list” show on July 4th  and the year-end “Poppies And Rosies” awards show on December 31st.

In 2011, Subject:CINEMA added a second “fethival” show to it’s lineup in “Boston Springs A Movie”, highlighting the local Boston film scene’s four springtime festivals – The Irish Film Festival, The Boston Underground Film Festival, The Boston International Film Festival, and the Independent Film Festival of Boston. The experimental show proved to be very popular, especially (and not surprisingly) with Boston film fans, and has been officially renamed “Boston Springs A Fethival” and has been added to the podcasts’ list of annual shows. It will premiere in mid-May.

2012 will see the addition of a THIRD “fethival”-specific podcast, “Subject:CINEMA’s Fall Fethival Fiesta”, in September. This latest “fethival” show, still in the planning and decision stages, is likely to focus on the fall season’s three big festivals – Toronto (Toronto, ON), Fort Lauderdale (Fort Lauderdale, FL), and FantasticFest (Austin TX) – as well as several smaller festivals including the super-secretive Telluride Film Festival (Telluride, CO) and the Woodstock Film Festival (Woodstock, NY) among others. The show will air sometime in late September 2012 and is planned as an annual show.

Subject:CINEMA also plans to do segments as part of their weekly show throughout the calendar year focusing on festivals that don’t fall into a timeframe where they can be included in one of the big “fethival” shows, including more complete coverage of SXSW in March, as well as Cannes, Los Angeles, Tribeca, Venice, London, Seattle, and others yet to be determined as the year progresses.

Festivals who might be interested in obtaining coverage for their festival are encouraged to contact SC Producer and co-host TC Kirkham with information on the festival and films scheduled to screen at the show’s email address – subjectcinema [at] popcornnroses.com. They are also encouraged to contact Indie Film Spotlight senior correspondant Larry Richman at larryifs [at] popcornnroses.com. And of course, filmmakers who are on the festival circuit are also encouraged to contact us at the same addresses – we are always on the lookout for filmmakers to interview and films to see that we can bring to the attention of our listeners and readers!

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Posted in Film, General Announcements, Weblogs - Tagged Boston International Film Festival, Boston Underground Film Festival, Festivus Film Festival, Telluride Film Festival, Victoria Film Festival, Woodstock Film Festival

Critical faves, controversial dramas grace IFF Boston’s film slate for 2010

Mar25
2010
Written by tckirkham

The Independent Film Festival of Boston has announced it's 2010 slate of films. The festival runs April 21-28 this year, with most (but not all) films running at the Somerville Theatre.

Watch SOI and our sister sites Popcorn N Roses, Indie Film Spotlight, and Boston Popcorn for continuing coverage during the run up to the festival. We are planning several podcasts surrounding the spring festival scene in Boston – watch for more info!

8th Annual Independent Film Festival Boston : April 21 – 28, 2010

Narrative Features

Bass Ackwards

In this feature by Linas Phillips, a man fresh from a break-up with a married woman embarks on a road trip in a VW bus.
Cairo Time

Patricia Clarkson stars in this romantic drama about a brief, unexpected love affair that catches two people completely off-guard.
Cell 211

In this Goya Award-winning suspense thriller from Spain, a rookie guard is trapped inside a prison during a riot and must pretend he is a prisoner to survive.
Cracks

Sexual tension between a teacher and her students simmers to a boil in a 1930s female boarding school.
Le Donk & Scor-Zay-Zee

A former roadie, Le Donk, aspires to take a rapper from the Midlands to the heights of fame with the help of the Artic Monkeys in this mockumentary by Shane Meadow (THIS IS ENGLAND).
Down Terrace

This genre-busting film depicts the members of a crime family as they attempt to restore their business dealings after time spent in jail.
Drones

An unassuming guy is shocked out of his dull, everyday work routine when he discovers that his co-workers aren’t exactly from this planet in the latest film by Amber Benson and Adam Busch.
The Extra Man

In this urbane comedy, Paul Dano and Kevin Kline play writers who sideline as escorts for wealthy widowed socialites.
Father of My Children

This French drama serves as an exploration of the hardships of filmmaking and rumination on loss and hope.
The Freebie

In Katie Aselton’s directorial debut, a young couple (Dax Shepard and Aselton) consents to permit each other one night of freedom from their monogamous relationship.
The Good, The Bad, The Weird

In this Korean Western, three Outlaws in 1930s Manchuria attempt to recover a map to buried treasure in this frenetic, high-octane action film.
Harmony and Me

Recently dumped, Harmony seeks solace through various encounters in this wry comedy.
Hipsters (Stylyagi)

This Russian musical puts a bright new spin on a traditional film genre throwing the viewer into a world that’s somehow both familiar and strange.
I Am Love

The wife of an Italian industrial magnate (Tilda Swinton) embarks on a dangerous affair in this sumptuous film.
The Killer Inside Me

Casey Affleck portrays a Texas deputy sheriff whose dormant violent tendencies resurface. Directed by Michael Winterbottom.
Life During Wartime

Todd Solondz revisits the characters from his previous films recast with different actors including Ally Sheedy and Allison Janney.
Looking for Eric

A postman seeks the spiritual and philosophical advice of famous footballer Eric Cantona in this film by Ken Loach.
Lovers of Hate

Dark comedy about two alienated brothers whose sibling rivalry extends to their relationship with the same woman.
Machotaildrop

Walter Rhum’s objective is to ride for the world’s greatest skateboard company, Machotaildrop, in this surreal, visually inventive film.
My Suicide

Archibald Holden Buster Williams’ school project is to kill himself on camera.
Perrier’s Bounty

This thriller set in Dublin stars Brendan Gleeson, Cillian Murphy and Jim Broadbent.
Phillip the Fossil

Garth Donovan’s gritty portrait of a small town party animal on the brink of evolution or extinction.
Putty Hill

After a young man dies from a drug overdose his friends gather to reflect on his life and loss.
Solitary Man

Michael Douglas portrays a used car magnate whose personal demons dismantle his life.
Soul Kitchen

Zinos tirelessly attempts to save his Greek restaurant and relationship with his girlfriend while keeping his brother out of jail in this German comedy.
Tiny Furniture

The return home of newly graduated Aura causes family upheaval as she navigates her family’s expectations and warily chooses between 2 potential boyfriends.
Winter's Bone

Ree desperately searches for her father whose disappearance after posting bail risks her losing their Ozark home. Stars John Hawkes (Deadwood, Lost).

Documentary Features

8: The Mormon Proposition

Investigates the Mormon Church’s role with passing California’s Proposition 8.
9500 Liberty

A county in Virginia becomes a battleground for immigration policy in the U.S.
American: The Bill Hicks Story

An oral history about the life of the late, influential comedian told in a revolutionary animated style by the people who knew him best.
Anne Perry: Interiors

Intimate portrait of the author who was the inspiration for HEAVENLY CREATURES.
Bananas!*

Twelve Nicaraguan banana workers sue Dole Food over their use of a dangerous pesticide known to cause sterility.
Bear Nation

From the director of SMALL TOWN GAY BAR comes a look at one of the lesser-known subculture within the gay community. Includes interviews with Bob Mould and Kevin Smith
Beijing Taxi

The lives and struggles of three taxi drivers navigating their way through a rapidly changing city is revealed.
Casino Jack and the United States of Money

Alex Gibney (THE TRIALS OF HENRY KISSINGER) investigates lobbyist Jack Abramoff and his trail of lies and deceit.
Colony

An examination of the loss of bee population that is by turns lyrical and straightforward.
Convention

A fascinating glimpse of the turbulent machinery behind the 2008 Democratic Convention.
Dirty Pictures

The ”father of ecstacy” discusses how chemistry has led to enlightenment for him and his wife.
The Disappearance of McKinley Nolan

Retired US Army Lt. Dan Smith, revisiting the battlefields of Vietnam in 2006, encounters, McKinley, a private who disappeared 40 years earlier.
Do It Again

Boston Globe writer Geoff Edgers fights an uphill battle to reunite the Kinks.
The Elephant in the Living Room

Documentary about the dangers and responsibilities associated with keeping exotic animals as pets.
Erasing David

Director David Bond attempts to disappear to find out just how much private companies and government know about him.
Family Affair

At age 10, Chico Colvard accidentally shot his sister in the leg which inadvertently exposed a shocking, long buried family secret.
His & Hers

A 90-year-old love story told through the collective voice of 70 ladies at different stages of their lives
How to Fold a Flag

Examines the difficulties facing returning veterans of the Iraqi War.
I’m Dangerous with Love

Dimitri Mugianis, addicted to drugs and alcohol is aided by an experimental treatment utilizing ibogaine, a hallucinogen used by African shaman for centuries.
Jean-Michel Basquiat: The Radiant Child

Portrait of the short life of celebrated Neo-Expressionist artist Jean-Michel Basquiat.
Joan Rivers: A Piece of Work

Captivating scars-and-all portrait of the iconic, hardworking Joan Rivers.
The Last Survivor

Survivors struggle to understand the tragedy of genocide by educating others about the mass atrocities that they endured.
Lemmy

Follows the legendary heart of Motörhead from his LA apartment to an arena in Russia and back.
Life 2.0

A filmmaker adopts an avatar to fully engage and explore the world of Second Life, an online community where the inhabitants are the digital representations.
The Lottery

Examines the anxious months preceding the lottery for Harlem Success Academy, one of the most successful public charter schools in the country.
Marwencol

A man deals with being savagely beaten by creating beautiful photographs of G.I. Joe and Barbie dolls to narrate his fantasy life.
NY Export: Opus Jazz

In this vivid, gorgeously-shot adaptation of a lesser-known ballet by Academy Award-winning choreographer Jerome Robbins (WEST SIDE STORY), New York City Ballet dancers take to the streets and warehouses of New York, bringing an invigorating new energy to the form
The Oath

The story of two brothers-in-law, close to Osama bin Laden and Al-Qaeda, and their very different outcomes post 9/11.
October Country

Intimately tracks a year in the life of four generations of a family trying to attain stability in an impoverished area of Upstate New York.
On the Other Side of Life

A gripping account of two brothers struggling to balance modernity and tradition in Cape Town.
Orgasm Inc.

This hilarious and thought-provoking documentary explores the world of pharmaceutical companies attempting to get FDA approval for the first Viagra-like product for women.
The Parking Lot Movie

“It’s not just a Parking Lot. It’s a battle with humanity” This doc explores the lessons of learned by those that work in parking lots.
Pelada

The transformative and influential power of soccer is explored in areas as far flung as Bolivia, to China, Kenya, Iraq and Brazil.
Searching for Elliott Smith

Intimate portrait of lo-fi, indie rock sensation Elliott Smith
Secrets of the Tribe

Fascinating documentary about the effects of anthropologists on a remote tribe in the Amazon
Strange Powers: Magnetic Fields

A rare opportunity to become acquainted with cantankerous musician and writer, Stephen Merritt
Taqwacore: The Birth of Punk Islam

Traces the origin of Muslim punk scene from its conception in a novel by Michael Muhammad Knight to a fully realized movement.
War Don Don

Thoughtful examination of the protracted, costly and questionable process of how war criminals were prosecuted in Sierra Leone.
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Posted in Film - Tagged Boston Popcorn, IFFB, Indie Film Spotlight, Popcorn N Roses, State Of Independence, Subject Cinema

Independent Film Festival of Boston announces 2010 slate of films

Mar25
2010
Written by popcornnroses

The Independent Film Festival of Boston has announced it's 2010 slate of films. The festival runs April 21-28 this year, with most (but not all) films running at the Somerville Theatre.

Watch IFS and our sister sites Popcorn N Roses and Boston Popcorn for continuing coverage during the run up to the festival. We are planning several podcasts surrounding the spring festival scene in Boston – watch for more info!

8th Annual Independent Film Festival Boston : April 21 – 28, 2010

Narrative Features

Bass Ackwards

In this feature by Linas Phillips, a man fresh from a break-up with a married woman embarks on a road trip in a VW bus.
Cairo Time

Patricia Clarkson stars in this romantic drama about a brief, unexpected love affair that catches two people completely off-guard.
Cell 211

In this Goya Award-winning suspense thriller from Spain, a rookie guard is trapped inside a prison during a riot and must pretend he is a prisoner to survive.
Cracks

Sexual tension between a teacher and her students simmers to a boil in a 1930s female boarding school.
Le Donk & Scor-Zay-Zee

A former roadie, Le Donk, aspires to take a rapper from the Midlands to the heights of fame with the help of the Artic Monkeys in this mockumentary by Shane Meadow (THIS IS ENGLAND).
Down Terrace

This genre-busting film depicts the members of a crime family as they attempt to restore their business dealings after time spent in jail.
Drones

An unassuming guy is shocked out of his dull, everyday work routine when he discovers that his co-workers aren’t exactly from this planet in the latest film by Amber Benson and Adam Busch.
The Extra Man

In this urbane comedy, Paul Dano and Kevin Kline play writers who sideline as escorts for wealthy widowed socialites.
Father of My Children

This French drama serves as an exploration of the hardships of filmmaking and rumination on loss and hope.
The Freebie

In Katie Aselton’s directorial debut, a young couple (Dax Shepard and Aselton) consents to permit each other one night of freedom from their monogamous relationship.
The Good, The Bad, The Weird

In this Korean Western, three Outlaws in 1930s Manchuria attempt to recover a map to buried treasure in this frenetic, high-octane action film.
Harmony and Me

Recently dumped, Harmony seeks solace through various encounters in this wry comedy.
Hipsters (Stylyagi)

This Russian musical puts a bright new spin on a traditional film genre throwing the viewer into a world that’s somehow both familiar and strange.
I Am Love

The wife of an Italian industrial magnate (Tilda Swinton) embarks on a dangerous affair in this sumptuous film.
The Killer Inside Me

Casey Affleck portrays a Texas deputy sheriff whose dormant violent tendencies resurface. Directed by Michael Winterbottom.
Life During Wartime

Todd Solondz revisits the characters from his previous films recast with different actors including Ally Sheedy and Allison Janney.
Looking for Eric

A postman seeks the spiritual and philosophical advice of famous footballer Eric Cantona in this film by Ken Loach.
Lovers of Hate

Dark comedy about two alienated brothers whose sibling rivalry extends to their relationship with the same woman.
Machotaildrop

Walter Rhum’s objective is to ride for the world’s greatest skateboard company, Machotaildrop, in this surreal, visually inventive film.
My Suicide

Archibald Holden Buster Williams’ school project is to kill himself on camera.
Perrier’s Bounty

This thriller set in Dublin stars Brendan Gleeson, Cillian Murphy and Jim Broadbent.
Phillip the Fossil

Garth Donovan’s gritty portrait of a small town party animal on the brink of evolution or extinction.
Putty Hill

After a young man dies from a drug overdose his friends gather to reflect on his life and loss.
Solitary Man

Michael Douglas portrays a used car magnate whose personal demons dismantle his life.
Soul Kitchen

Zinos tirelessly attempts to save his Greek restaurant and relationship with his girlfriend while keeping his brother out of jail in this German comedy.
Tiny Furniture

The return home of newly graduated Aura causes family upheaval as she navigates her family’s expectations and warily chooses between 2 potential boyfriends.
Winter's Bone

Ree desperately searches for her father whose disappearance after posting bail risks her losing their Ozark home. Stars John Hawkes (Deadwood, Lost).

Documentary Features

8: The Mormon Proposition

Investigates the Mormon Church’s role with passing California’s Proposition 8.
9500 Liberty

A county in Virginia becomes a battleground for immigration policy in the U.S.
American: The Bill Hicks Story

An oral history about the life of the late, influential comedian told in a revolutionary animated style by the people who knew him best.
Anne Perry: Interiors

Intimate portrait of the author who was the inspiration for HEAVENLY CREATURES.
Bananas!*

Twelve Nicaraguan banana workers sue Dole Food over their use of a dangerous pesticide known to cause sterility.
Bear Nation

From the director of SMALL TOWN GAY BAR comes a look at one of the lesser-known subculture within the gay community. Includes interviews with Bob Mould and Kevin Smith
Beijing Taxi

The lives and struggles of three taxi drivers navigating their way through a rapidly changing city is revealed.
Casino Jack and the United States of Money

Alex Gibney (THE TRIALS OF HENRY KISSINGER) investigates lobbyist Jack Abramoff and his trail of lies and deceit.
Colony

An examination of the loss of bee population that is by turns lyrical and straightforward.
Convention

A fascinating glimpse of the turbulent machinery behind the 2008 Democratic Convention.
Dirty Pictures

The ”father of ecstacy” discusses how chemistry has led to enlightenment for him and his wife.
The Disappearance of McKinley Nolan

Retired US Army Lt. Dan Smith, revisiting the battlefields of Vietnam in 2006, encounters, McKinley, a private who disappeared 40 years earlier.
Do It Again

Boston Globe writer Geoff Edgers fights an uphill battle to reunite the Kinks.
The Elephant in the Living Room

Documentary about the dangers and responsibilities associated with keeping exotic animals as pets.
Erasing David

Director David Bond attempts to disappear to find out just how much private companies and government know about him.
Family Affair

At age 10, Chico Colvard accidentally shot his sister in the leg which inadvertently exposed a shocking, long buried family secret.
His & Hers

A 90-year-old love story told through the collective voice of 70 ladies at different stages of their lives
How to Fold a Flag

Examines the difficulties facing returning veterans of the Iraqi War.
I’m Dangerous with Love

Dimitri Mugianis, addicted to drugs and alcohol is aided by an experimental treatment utilizing ibogaine, a hallucinogen used by African shaman for centuries.
Jean-Michel Basquiat: The Radiant Child

Portrait of the short life of celebrated Neo-Expressionist artist Jean-Michel Basquiat.
Joan Rivers: A Piece of Work

Captivating scars-and-all portrait of the iconic, hardworking Joan Rivers.
The Last Survivor

Survivors struggle to understand the tragedy of genocide by educating others about the mass atrocities that they endured.
Lemmy

Follows the legendary heart of Motörhead from his LA apartment to an arena in Russia and back.
Life 2.0

A filmmaker adopts an avatar to fully engage and explore the world of Second Life, an online community where the inhabitants are the digital representations.
The Lottery

Examines the anxious months preceding the lottery for Harlem Success Academy, one of the most successful public charter schools in the country.
Marwencol

A man deals with being savagely beaten by creating beautiful photographs of G.I. Joe and Barbie dolls to narrate his fantasy life.
NY Export: Opus Jazz

In this vivid, gorgeously-shot adaptation of a lesser-known ballet by Academy Award-winning choreographer Jerome Robbins (WEST SIDE STORY), New York City Ballet dancers take to the streets and warehouses of New York, bringing an invigorating new energy to the form
The Oath

The story of two brothers-in-law, close to Osama bin Laden and Al-Qaeda, and their very different outcomes post 9/11.
October Country

Intimately tracks a year in the life of four generations of a family trying to attain stability in an impoverished area of Upstate New York.
On the Other Side of Life

A gripping account of two brothers struggling to balance modernity and tradition in Cape Town.
Orgasm Inc.

This hilarious and thought-provoking documentary explores the world of pharmaceutical companies attempting to get FDA approval for the first Viagra-like product for women.
The Parking Lot Movie

“It’s not just a Parking Lot. It’s a battle with humanity” This doc explores the lessons of learned by those that work in parking lots.
Pelada

The transformative and influential power of soccer is explored in areas as far flung as Bolivia, to China, Kenya, Iraq and Brazil.
Searching for Elliott Smith

Intimate portrait of lo-fi, indie rock sensation Elliott Smith
Secrets of the Tribe

Fascinating documentary about the effects of anthropologists on a remote tribe in the Amazon
Strange Powers: Magnetic Fields

A rare opportunity to become acquainted with cantankerous musician and writer, Stephen Merritt
Taqwacore: The Birth of Punk Islam

Traces the origin of Muslim punk scene from its conception in a novel by Michael Muhammad Knight to a fully realized movement.
War Don Don

Thoughtful examination of the protracted, costly and questionable process of how war criminals were prosecuted in Sierra Leone.
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Posted in Festival Spotlight On..., Film, General Announcements, Indie Buzz - Tagged Boston Popcorn, IFFB, Indie Film Spotlight, Popcorn N Roses, State Of Independence, Subject Cinema

“For The Love Of Movies” truly IS a love affair with critics

Apr27
2009
Written by tckirkham

For The Love Of Movies – The Story Of American Film Criticism
Narrated by Patricia Clarkson
Written and Directed by Gerald Peary
Screened at the 2009 Independent Film Festival of Boston

Ok, folks, picture this  – a film about film critics, produced and written by another film critic.

Does that sound like the beginning of a joke to you?

Having started down the road in 2005 of being a semi-professional film critic, I first noticed For The Love Of Movies – The Story Of American Film Criticism when it was screened at SXSW this year. From the moment I read about it, I couldn't wait to see it. So when I heard it was going to be playing this year's Independent Film Festival of Boston, I was overjoyed.

Then I got the bad news – PNR was denied press credentials this year due to an overflow of press requests.

It was too late to buy tickets, and in any case, I have a hard time getting to the ICA where the film was screening. So I took a chance. I wrote to the writer and director, Boston Phoenix critic Gerald Peary, and plead my case. I expected to get blown off – most print reviewers can't stand internet reviewers, as they see us as the reason that so many of them are being let go from their paper.

I was OVERJOYED when I got an e-mail back from Mr. Peary indicating that a screener was on the way.  And blown away as well. Why? Because nearly every Boston film critic I've come in contact with has been rude and dismissive to me in the past. So it was a refreshing change of pace. And I couldn't tell you for sure, but it might have been Mr. Peary who had something to do with PNR getting press credentials to IFFB after all, the same day his screener arrived in the mail. It might be a coincidence, but who knows? And who cares? We got to attend IFFB and bring some great press coverage to films we would have otherwise missed.

I watched Mr. Peary's film over the weekend on the screener he generously sent me.

I'm really glad I didn't miss it. For not only is the film a generous and loving portrait of American film critics and film criticism, it was nice to see that Mr. Peary did NOT leave the internet journalist on the sidelines.

Over the past couple of years, a war has been quietly raging between print and broadcast critics, internet blog critics, and the studios. Variety columnist Anne Thompson has been leading the charge against the bloggers, and whenever something happens that the print critics don't like or approve of, you can almost always count on Ms. Thompson, wonderful writer that she is, being the first print journalist out there blaming the internet for the problem.  I've written to her, and other critics and columnists, about this subject a number of times, but never get the satisfaction of an answer.

The studios ignore most of the online critics out there, even though we try to take it seriously. I for one am trying to make our sites a legitimate business in the long run, so I can work full time on them, and the content I hope to provide. Sure, the studios acknowledge the BIG internet sites and critics – people like Harry Knowles of Ain't It Cool News, and the folks at Rotten Tomatoes and Spout -  but the sad thing is, we've been around longer than several of the big sites. And people are ONLY NOW beginning to notice us. It takes perseverance and decent work to make people notice you.

Some of the critics in the movie pooh-pooh the internet crowd as well. They accuse us of being hacks that know nothing of film history, and that we shouldn't dare bring our opinions out among the web, because after all, we're nothing more than internet dweebs that are costing them their livelihood.  To those critics, I would like to say this – maybe if you'd take the time to embrace the web yourselves, you could walk a mile in our shoes and find out that we're not the enemy.

We have begged the studios to take notice of us, and yet none of them have. They also see the internet critics as the enemy, a case recently brought back into the front of the argument by the leak of a copy of X-Men Origins: Wolverine, a leak which was decried by both print and internet film journalists, and none louder than Mr. Ain't It Cool News himself, Harry Knowles. A leak which cost FoxNews.com's Roger Friedman his job for reviewing the film and joking about how he was going to do all his reviews via illegally downloaded copies from now on.

We are NOT the enemy. We want to help the film industry curtail the piracy too, not cause it. You have less than 1% of the people on the net that are doing the piracy, and most of them are NOT film critics, or even legit film columnists – they are simply scavengers out for a buck or a boost to their hacker rep.  And that's it. Any TRUE journalist is NOT going to leak a film on the internet.

And Mr. Peary – he gets it. He sees that the internet is the wave of the future and that a great many critics have their own websites, or maintain areas of their publications.

Former New York Times reviewer Elvis Mitchell – He also gets it. He thinks that everyone has a right to their opinion, and commented on that subject, basically stating that no one critic has a right to think that their criticism is any better or worse than anyone else. I KNEW there was a reason I've always enjoyed his reviews and columns…not to mention his work on his excellent radio show/podcast, "The Treatment".

Why must you be paid to be a critic? Several critics queried in the film mentioned this as a requirement to be a critic. Sure, I'd love to make money for my site and our popular podcast Subject:CINEMA, and it's slowly starting to happen. But it's not always possible. Does that make me any less of a legitimate critic? The Boston Society Of Film Critics thinks so – I was turned down for membership last year. Hell, i can't even get the Online Society of Film Critics to answer my applications – three times in three years, and not even a letter of rejection. How unprofessional is that? At least I got an answer from the BSFC. And they're a bit behind the times, seeing as how New York has formed it's own online society, and several other cities are now admitting film bloggers to their ranks.

It's been the independent filmmaker who have truly embraced the internet journalists. They have helped nurture us as we have helped nurture them. I'm proud to be a voice in promoting wonderful smaller films of the past few years, like Decker's Once Upon A Film, the about-to-be-released Still Green, and other blink-and-you'll-miss-it films like Black Irish, Man In The Chair, and Fierce People.

I must apologize for going on my soapbox, but nothing makes me crazier than someone telling me i'm not a legitimate critic – i've been reviewing movies for most of my 46 years on the planet, and i've been doing it on a regular basis online for almost five years. It's my passion, and I love it.

Back to Mr. Peary's film….

This portrait of criticism from it's starting point in the early 20th century through the present day is absolutely fascinating. It's a thorough look at some of the most influential and best known critics throughout the past century, and some of t
hem I freely admit to having never heard of, but now that I know about them, I am going to seek out their work. People like Otis Ferguson, who sounds fascinating.

But it is equally a portrait of the kind of criticism that has been around throughout each decade, each era of film and its changing morals, those who believe in the art of film vs those who believe in the fun. The extended look at the wonderful and hilarious rivalry between legendary critics Andrew Sarris and Pauline Kael is fantastic, with interviews and clips of each explaining how they approach a film.  I don't know whether I could be considered a "Paulette" because I do have my own group of auteurs, but I know I always loved her biting, and often hilarious, writing and when she died in 2001, the critic world lost a true devoted lover of films.

I grew up in the era of TV film critics, and seeing the early footage of Gene Siskel and Roger Ebert on local television in Chicago was many things – enlightening because both men believed in their reviews and defended them against each other until Siskel's untimely passing in 1999, and hilarious because of the hairdos and clothing from the mid 70s. It was informative, and showed mor than ever how different today's critics approach a film as opposed to the old school prose of James Agee or Bosley Crowther.

It also provides a glimpse into the thinking processes behind some of film criticism's best known voices, such as Richard Schickel, A.O. Scott (argueably my favorite critic currently in print, even though I rarely if ever agree with his opinions), Lisa Schwarzbaum, and the legends that are Roger Ebert, Rex Reed, and Elvis Mitchell.

Overall, For The Love Of Movies is just that – a loving look at movies and movie criticism as the critics see it. I suspect that the film will eventually show up on PBS or IFC, and when it does, I wholeheartedly recommend it.

Oh, and Mr. Peary? Thank you for your consideration in taking our site and our work seriously and in sending me a screener. It's much appreciated, and nice to know that we do have a few friends among the print journalists out there…I wish everyone else were as kind, considerate, and open as you have been…(and it would have been nice to have been included in your internet journalists…but since most people still aren't aware of us…well, that's ok…)

MY SCORE: 5 stars (out of five stars)

For more on For The Love Of Movies, check out their website at http://fortheloveofmovies.net

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Posted in Film - Tagged Boston Popcorn, For The Love Of Movies: The Story Of American Film Criticism, Gerald Peary, Popcorn N Roses, State Of Independence

“[500] Days” will charm your “Summer”

Apr27
2009
Written by tckirkham

500DaysOfSummer_filmstill1_JoesephGordonLevit [500] Days Of Summer
Fox Searchlight
Starring Joseph Gordon-Levitt, Zooey Deschanel, Jeffrey Arend, Matthew Gray Gubler, Chloe Moretz

Screened at the 2009 Independent Film Festival of Boston

This is the story of two people, and as the tagline states, "Boy Meets Girl. Boy Falls In Love. Girl Doesn't". You can't get much simpler than that, folks. And you shouldn't have to.

Joseph Gordon-Levitt stars as Tom, a young greeting card writer who becomes hopelessly smitten with his boss' new assistant (Zooey DeSchanel) the second he sees her. Tom is someone who believes you won't truly be happy until you find "the one". And he's convinced that Summer is the one. But Summer isn't interested in "true love", which she says doesn't exist. But she and Tom do hook up with one another. They first become friends when Summer hears The Smiths coming out of Tom's headset in the elevator, and as the days turn into weeks, and weeks turn into months, Tom is convinced he's found the one he's been searching for. Then one day, out of the blue, Summer tells Tom that she thinks they should stop seeing each other. And from that day forward, Tom's life is dark and dreary.

Yes, folks,it IS a comedy. And a damn funny one – in fact, it is without a doubt the funniest movie I've seen in several years.

Told in non-linear fashion, bouncing to and fro through each numbered day of their time together (or apart), with narration in places, each sequence helps us to get to know both characters and how each of them sees life. Tom sees it as ordered and structured if a bit depressing, Summer as each day having its own free spirit, never to be captured again. Obviously, these two were probably never meant to be together…but the story of how they came together and apart is worth seeing – funny, enchanting, frustrating…and delightful.

Gordon-Levitt, one of my all-time favorite young actors, shines like never before here, capturing every nuance of Tom Hanson – his delight, his insecurity, his love, his frustration, and brings each emotion home to ground level. DeSchanel captures Summer's carefree attitude about life, her own inner demons, and her passiveness beautifully. They make magic together when on screen, and their supporting cast is there to make it even better.  Moretz, as Tom's 12 year old sister, is far wiser about life than her much older brother, and shows it whenever she gets a chance. Always there for him to turn to for advice and support, Moretz is a scene stealer that we should all keep an eye on.  And Arend and Gubler, as Tom's two best friends, are there to either support him or try and talk sense into him when Summer has him completely crazy, and they do so with the love and support best friends should have.

Without a doubt, [500] Days Of Summer is destined to be one of the critical hits of the year. It's quaint little charm will slowly invade your psyche and continue to press through as you think about the movie from beginning to end, and very likely will make you want to see it again.  I wanted to see it again almost immediately…and i've got quite a wait – it doesn't hit theaters until July 17th. That's the bad thing about festivals, they can tease you for MONTHS before a general release…

If there's only one smaller indie you can see this year, you have no decision to make – this one is IT.

My Score: 5 stars (out of 5)

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Posted in Film - Tagged Fox Searchlight, Joseph Gordon-Levitt, Popcorn N Roses. Boston Popcorn, State Of Independence, Zooey DeSchanel, [500] Days Of Summer

IFFB – Day 6 – April 27 2009

Apr27
2009
Written by tckirkham

Just two flicks today as part of the IFFB – both are at the Institute for Contemporary Art, and both are said to be wonderful documentaries.

For The Love Of Movies, all about movie criticism (hey, no wonder i'm interested), made by Boston Phoenix film critic Gerald Peary (review later this week)

Art And Copy takes a look at advertising and it's effect on society

Tomorrow is the closing day for this year's IFFB, and it will be World's Greatest Dad at the Coolidge Corner theater.

More info on the IFFB can be found at http://iffboston.org!

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Posted in Film - Tagged Art And Copy, Boston Popcorn, For The Love Of Movies, IFFB, Popcorn N Roses, State Of Independence, Subject Cinema

IFFB – Hal Holbrook and Dixie Carter light up “That Evening Sun” screening

Apr26
2009
Written by tckirkham

Kim and I caught the afternoon screening of SXSW winner That Evening Sun this afternoon, and although Barry Corbin was not in attendance as expected, both Hal Holbrook and his lovely wife Dixie Carter (who has a small part in the film) graced the screening and along with director Scott Teems were more than happy to take a few questions after the screening.  We'll have a review later in the week, and next weekend on Subject:CINEMA. But for now, here are a few photos for you!
IMG_0118 The crowds are HUGE at the IFFB Every year!

IMG_0119 Gee, who could this beautiful woman be? Why, it's PlatinumRoseLady herself!

IMG_0120a Dixie Carter and Hal Holbrook answer an audience member question

IMG_0121a Director Scott Teems with Dixie Carter and Hal Holbrook taking questions after the screening of "That Evening Sun"

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Posted in Film - Tagged Boston Popcorn, Dixie Carter, Hal Holbrook, IFFB, Popcorn N Roses, Scott Teems, State Of Independence, Subject Cinema, That Evening Sun

IFFB – Day Five – Sunday, April 26, 2009

Apr26
2009
Written by tckirkham

Great stuff playing at IFFB all weekend, and today is no different! Among the highlights today:

SXSW Grand Prize winner That Evening Sun, with stars Hal Holbrook and Barry Corbin in attendance ( review coming this week)

Trinidad, a documentary focusing on Trinidad, Colorado, which has become known as the sex change capital of the world (review coming this week)

Shouting Fire: Stories From the Edge Of Free Speech, examining the relationships among education, politics, and public safety

Luckey, a local based documentary following Tom Luckey, a local sculptor of abstract childrens climbing structures who was suddenly paralyzed, and now is working with his son Spencer to complete a three story piece at the Boston Children's Museum

Breaking Upwards , another SXSW grad, tells the story of Daryl and Zoe, who are bored with their relationship and decide to attempt to make the transition to breaking up easier for them, starring writer/director Daryl Wein and co-writer Zoe Lister Jones (review coming this week)

For more on these and the rest of today's schedule and films, go to http://iffboston.org!

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Posted in Film - Tagged Boston Popcorn, Breaking Upwards, IFFB, Luckey, Popcorn N Roses, Shouting Fire, State Of Independence, Subject Cinema, That Evening Sun, Trinidad

Spotlight on…”We Are Wizards”

Apr25
2008
Written by popcornnroses

Wearewizards_2 WE ARE WIZARDS

NOT RATED

STARS: HARRY AND THE POTTERS, DRACO AND THE MALFOYS, BRAD NEELY, THE HUNGARIAN HORNTAILS, HEATHER LAWVER, THE WHOMPING WILLOWS, THE ORDER OF MERLIN, MELISSA ANELLI

Who would have thought a few years ago that a series of books could spawn a huge phenomenon?

The "Harry Potter" books have done just that. And the phenomenon is documented in this lovingly crafted, often sweetly hilarious documentary by filmmaker Josh Koury.

With most of the emphasis in the segments focusing on several groups who make music about Harry Potter – known to fans as "Wizard Rock" – the filmmaker focuses both on the people involved with the groups and the music they write. Wizard Rock has become a genre of music all its own, with over 100 groups and individuals devoting their songwriting skills to Potter-themed songs.

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Posted in Spotlight On... - Tagged Boston Popcorn, Draco And The Malfoys, Harry And the Potters, Indie Film Spotlight, Josh Koury, Popcorn N Roses, The Whompping Willows, We Are Wizards

IFF Boston ’08 blasts off with Transsiberian

Apr24
2008
Written by popcornnroses

The Independent Film Festival of Boston kicked off last night with the east coast premiere of TRANSSIBERIAN, a new thriller starring Sir Ben Kingsley and Woody Harrelson from director Brad Anderson, whose critically acclaimed Next Stop Wonderland from a few years ago is listed as a favorite film by a number of my friends. Because of a prior committment, we were unable to make the opening night film, which included Kingsley and Anderson both in attendance – I wish we’d known sooner about our prior committment getting scrapped, because this movie has been on my "must see" list since it first hit the festival circuit several months ago.

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Posted in Festival Spotlight On... - Tagged Blood Car, Boston Popcorn, Eleven Minutes, IFFBoston, Indie Film Spotlight, Joy Division, Meadowlark, Medicine For Melancholy, Mister Lonely, My Effortless Brilliance, Natural Causes, Popcorn N Roses, Second Skin, Subject Cinema, Transsiberian, We Are Wizards

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